Dr. Mufti, a connoisseur of art, literature, and folklore, was entrusted with overseeing all aspects of the National Memorial Museum. His innovative and creative concept-plan for the monument surpassed all competitors, demonstrating his novel perception and inventive ideas.
Uxi Mufti founded Lok Virsa in 1974 and served as its first director, playing a leading role in its activities since then. He has been remarkably successful in preserving, utilising, and publicising Pakistan's folk traditions both domestically and internationally.
As Creative Director, he organised the First International Artisans-at-Work Festival under UNESCO in 1994 with 70 participating countries, the Festival of D-8 Countries in 1997, and the International Silk Route Festival in 2000 and 2002.
Mufti serves as Vice President of the World Crafts Council and has contributed as Creative Consultant for the Baltit Heritage Fort Museum in Hunza for the Agha Khan Foundation. He also served as UNESCO Cultural Consultant to the Prime Minister of Kyrgyzstan for MANAS 1000 Celebrations, becoming a recognised leader in folk and cultural preservation across Islamic countries of Central Asia.
Dr. Mufti has received the Presidential Award for Pride of Performance and the 17th Asian-Pacific International Culture and Arts Fukuoka Award 2006 from Japan, making him only the second Pakistani after Nusrat Fateh Ali Khan to receive this prestigious honour.
Recently, he was also decorated with Sitara-e-Imtiaz by the Government of Pakistan.
Shakarparian hills site
The high ground at the west viewpoint of Shakarparian Hills was selected by a deputed team for this memorial. The seven-acre (2.8 hectares) site stands approximately one hundred feet (30 metres) above Zero Point, offering ideal location, accessibility, visibility, and prominence.
The monument will be visible from all vantage points of the twin cities of Islamabad and Rawalpindi.
Architectural integration and distinct identity
Located opposite the monument's main plaza, the National Memorial Museum is designed so its architectural form and height do not overshadow the memorial's main structure.
The museum's theme revolves around Pakistan's creation and development, distinguishing it from other nearby museums, including the Heritage and Natural History Museums. Given that a National Art Gallery, National Archaeological Museum, Museum of Natural History, and an Ethnological Museum exist within one kilometre, this museum must neither duplicate nor overlap, hence its unique identity.
Exhibition themes and galleries
The museum will house exhibits highlighting Allama Iqbal's Concept of a Muslim State in South Asia, Quaid-i-Azam's efforts and struggle for Pakistan's independence, and Pakistan's current status as a forward-looking developing state.
The exhibits, coupled with audio-visual effects, aim to create serenity and deep love for the nation.
A dedicated gallery honours the partnership of Allama Iqbal and Quaid-i-Azam Muhammad Ali Jinnah, the philosopher's stone and Occum's razor, who together provided the Islamic vision and the accomplishment to materialise Pakistan into reality.
History and continuity section
This section portrays how Arab conquest and successive migrations from Central Asia deeply impacted the ancient Vedic civilisation of the Indus Valley, ultimately leading Muslims to emerge as a distinct cultural pattern and people.
Impact of Islam Section
This gallery demonstrates how Islam improved and built upon a land chosen as the cradle of civilisation, contributing to and enriching the great tradition of the Indus Valley Civilisation.
It reflects how Islam forms daily rituals and sentiments, serving as a moralising force promoting peace, moderation, unity, tolerance, respect for others, and universal brotherhood.
Population and habitat section
This section depicts diverse abodes, habitat, languages, populations, communication, and Urdu's role as Pakistan's national language.
Oral tradition and literacy section
Portraying folklore and old traditions passed through generations, this section highlights that the average rural Pakistani may be unlettered but not illiterate, possessing a 5,000-year-old culture, tradition, and collective intelligence.
Contemporary issues gallery
Addressing socio-cultural criticism including gender bias, honour killing, civil liberties, child labour, fanaticism, poverty, fundamentalism, ethnicism, illiteracy, human rights, democracy, and freedom, this gallery presents Pakistan's standpoint positively and without controversy, highlighting major development and economic achievements.
Science and technology section
This sector showcases major advancements in industrial, nuclear, and defence technology, education, discovery, and invention.
National heroes gallery
Portraying Pakistani heroes' achievements across defence, culture, sports, science, education, and technology.
Future vision and aspirations section
A multi-screen, multi-image show entitled "The Land of Many Splendours" concludes the museum visit, inspiring and motivating all visitors.
Construction progress and inauguration
The National Memorial Museum's construction commenced after the Earth Breaking Ceremony by the President on 25th May 2004.
While the memorial building construction is complete, the décor and creative work continues. The monument is scheduled for inauguration by President Musharraf in March 2007.
A vision for national identity
Under Dr. Uxi Mufti's out-of-box thinking, the museum promises something for everyone, attracting not only locals but also overseas visitors who will grasp Pakistan's true and factual soft image.
Preserving the region’s ancient wisdom and vibrant cultural heritage for posterity is an imperative duty. The National Memorial Museum serves as a vital instrument to counteract the prevailing misperceptions about Pakistan by showcasing its profound socio-cultural fabric.
The contemporary challenges of extremism are fundamentally rooted in societal stigmas and taboos; addressing these issues requires a concerted effort to strengthen the nation’s cultural foundation.
Ultimately, this Memorial will resurrect fading traditions and reaffirm Pakistan’s authentic identity, one defined by its intrinsic ethics, modern outlook, and pragmatic spirit.